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How Films Make Us Feel Emotion

While some folks might not readily admit to it, many of us have cried while watching a movie. These could be tears of sadness for the looming passing of the family dog in Marley and Me, or of exultation during scenes of joyous reunion and relief at the end of It’s a Wonderful Life. For many people, (cinephiles and non-cinephiles alike), there is at least one movie scene at some point which has overwhelmed them with an acute wave of emotion.

a still from the final scene of the film It's a Wonderful Life
For many, the iconic ending of It’s a Wonderful Life is a guaranteed tear-jerker

The stories that film tells and the immersive way it tells them have always had a capacity to foster our sympathetic and empathetic tendencies, help us grow emotionally, and connect more with others. Whether you watch a documentary about human suffering thousands of miles away or a narrative that reveals the less than evident truths about your own life, watching a film can be emotional, and that is a good thing. How does film do this and what exactly about the art of film makes us feel the emotions we do when we watch? 

This powerful quality of film sits at the heart of why we love it here at SLFS, and why we are committed to providing access to independent film to our community. We are proud to show a wide variety of independent films that help our patrons not just think, but also feel. The more we can understand and discuss this emotive-inducing power of film, the better all of us in our community can be at engaging with the diverse and thought-provoking benefits of cinema.  

Independent Film = Your Brain On Empathy

Emotions are a vital aspect of the storytelling ability that a movie has. Emotions are also vital characteristics of the larger human experience; they are a fundamental part of what makes us sentient, complex creatures. In the modern age of scientific research and medical technology, emotions can be more precisely defined and measured through brain scans of our neural networks and what we know about the different chemicals that our brains release to cause emotional states. And as it turns out, movies are more than capable of inducing and effecting these states.

Humans are naturally empathetic beings; when we see or hear something sad, we are likely to feel sad. When we watch a story on the big screen, we automatically generate some investment in the characters. The way we absorb their depicted plights and decisions often invests us in an emotional cinematic reality, even if we are not directly experiencing the situations in question.

There are countless studies that demonstrate a link between storytelling and empathy, but it also doesn’t take a scientific study to know that movies offer one of the more effective forms of storytelling in human history. In fact, film is so effective at inducing empathy and emotion in people, it is used by researchers as a method to actually induce emotions in subjects, in order to study the brain simultaneously as they feel them. 

Different neural networks activate different types of empathy in research participants who watched an intense scene from Black Swan

For neuroscience researchers like Talma Hendler at Tel Aviv University in Israel, movies offer a useful tool to study how emotions fluctuate in real time and what’s going on in the brain when we feel certain ways. Hendler and her team have been investigating neural networks in the brain and their role in empathy, and have found evidence for two types of empathy. Mental empathy, when people step outside of themselves to think about what another person is thinking or experiencing, and embodied empathy, more of an in-the-moment internalization and adoption of an experience and its emotions.

It’s hard to say which type of empathy an audience member might be feeling during a specific scene, whether they are understanding the rationale and perspective of a character’s feelings, or more acutely feeling the character’s feelings themselves. But one thing is for sure; the empathetic storytelling that film is capable of can play with our emotions like few other forms of media can.

Playing With the Audiences Emotions

As much as there is to understand about the science of why film makes us feel emotion, what about the techniques behind filmmaking itself? How do filmmakers shape their narrative and use all the storytelling tools at their disposal to make us feel?

When filmmakers are crafting shots and dialogue, and considering how to tell the story of the scene, while they might not be contemplating the science of neural networks or the difference between mental and embodied empathy, their attention towards the emotions of their audience is quite purposeful.

“We’re always thinking about how to get into an emotional state, moment by moment, and how to bring as much of the audience along with us,” said Darren Aronofsky, acclaimed director of psychological dramas like Black Swan, Mother!, and The Wrestler in a Wired 2014 interview. It could be through stunning visual perspectives of proper cinematography, swelling crescendos of an orchestral soundtrack, or a well-written line acted and delivered to perfection; filmmakers craft their scenes and visual storylines with concentrated intent of making their audience feel.

an image of neural networks overlayed on a brain, next to a still from the film Black Swan
Javier Bardem and Jennifer Lawrence in Mother!, another psychological horror film from the mind of Darren Aronofsky

As much as the artistry of a film and its filmmaker plays a big role in this, there are also other psychological aspects of film that naturally contribute to the keen emotions that many moviegoers feel when they watch on the big screen. According to professor of psychology at Washington University, Jefferey Zachs, mimicry and music play vital roles in the emotions that film can make us feel.

“[Our brains] say that it’s a good idea to mimic the visual input that we’re seeing…if you watch somebody in the theater and there’s a smiling face filling the screen, most of the audience is going to pop a little bit of a smile…In film, a filmmaker has the opportunity to integrate those things very tightly. They can control exactly what’s shown of the face, and what else is present [on the screen].”

In regards to music in film, Zachs says the type and the timing also play a big role in inducing emotion. Sad moments in movies use slow music composed in a minor key to hammer home the sad things they depict. Minor key music can induce the same kind of sad feelings that we feel when we see people cry or watch bad things happen to people. “You put all those things together and it’s just taking the mechanisms that we encounter in real life and just really pushing all the buttons at once.” Zachs concluded.

Independent Films in Salt Lake City – SLFS

At Salt Lake Film Society, the emotional power of visual storytelling is at the heart of the impact we make in our community. Whether it’s anecdotal or based in scientific research, there is  consistently reaffirmed evidence that a compelling visual narrative can alter our brain’s chemistry. Films can make us feel, in a way that is strangely close to how we might feel if we were actually living these emotional experiences ourselves.

This invaluable form of sharing an emotional connection with others reinforces the unique and underrepresented voices inherent in our  independent film programming. This pairing helps cultivate an introspective and compassionate arts experience for the entire community, a process that SLFS has proudly been a part of for over 21 years. So come join us for an independent film at Salt Lake Film Society, and maybe you too can be a part of an emotional experience bigger than yourself.

To see a list of our upcoming films and events, click here.
To join our Red Carpet Club, or to learn more about RCC levels, discounts, and benefits, click here.


SLFS Staff: My Experience Watching Dune at the Broadway

At SLFS, we have always been proud of exhibiting thought-provoking films to our Salt Lake City community. And as members of this community and local film fans ourselves, the staff of SLFS have always cherished the opportunity to join in on the audience viewing experience. We asked Max Kunz, Theater Manager at Broadway Centre Cinemas, to share his experience watching Dune at the Broadway during our reopening in 2021.

The SLFS Dune Experience at Broadway Centre Cinemas

“As a staff member at Salt Lake Film Society, one of the things I like most about it is the commitment to serving the film loving community in Utah in unexpected ways. At the Broadway, we have six screens that supply a wide selection of arthouse and blockbuster cinema. Each screen is equipped with high-quality digital projection and Dolby theater surround sound systems, providing a unique high-quality entertainment experience you’d expect from the larger commercial branded theaters. 

“I can appreciate even more how seeing a film like Dune in a real theater like the Broadway Centre Cinemas makes the experience exceptional.”

Max Kunz
the film Dune playing in an SLFS theater, the Broadway Centre Cinemas
A theater screening of Dune at Broadway Centre Cinemas

To connect our audience with the large supply of new films released, we have all of our theaters on a constantly shifting show schedule. This means that if a film has completed its standard theatrical run, we have the option to return that feature for an additional run, provided it is cleared by the studio. This flexibility in our booking allows SLFS to customize our film exhibitions for the needs of its community when a film gains some attendance traction after its initial run, or earns accolades from a film institution. An example of this custom exhibition presented itself to me this year through Dune

I had unfortunately missed the initial theater run for Denis Villeneuve’s Dune and didn’t think I’d get another chance to see it in the theater setting, which was how I had heard it was meant to be enjoyed. Luckily, the Broadway brought back the film after it was nominated for several Academy Awards and I was able to catch it!

Dune is the story of the noble family Atreides who is given stewardship of the planet Dune by their Emperor, but Dune is a harsh planet covered in desert and a special drug called spice. The story of the film follows young Paul Atreides who is wrapped up in the war, chaos, prescience, and death that the coveted spice from Dune brings to his family. 

SLFS employee Max listening to Dune on audiobook in the lobby of Broadway Centre Cinemas
Kunz enjoying Dune in audiobook format

I was captivated by the stunning visuals and stellar performances in what was an all around very entertaining movie. In a film that deals with gigantic spaceships and an original soundtrack that shakes with them, the state of the art theatrical systems that are used to present films at Salt Lake Film Society created an extremely overpowering experience. I appreciated what an entirely different experience it was, compared to watching it at home on a laptop screen like I had been planning on doing prior to the re-screening (especially after such a long shutdown due to COVID-19).  

Seeing Dune in this way influenced me to research the world that Frank Herbert had created; looking at Google I saw how long the saga was and YouTube videos ensnared me into its lore. Fully nerding out, I bought the books on Audible and have since listened to the story of the first three books in the six book series. Now a bonafide Dune fan, and having some insight into the scale of the story and its contents, I can appreciate even more how seeing a film like Dune in a real theater like the Broadway Centre Cinemas makes the experience exceptional.”

To see a list of our upcoming films and events, click here.
To join our Red Carpet Club, or to learn more about RCC levels, discounts, and benefits, click here.


SLFS Board: Sarah E. S. Sinwell and the Pursuit of Art House Cinema

In any non-profit organization, the Board of Directors plays a vital role in planning for funding, growth, and subsequently helping achieve their mission. At Salt Lake Film Society, our Board embodies the organization’s passion for film and art house cinema, and they are deeply committed to our mission of educating, advocating, and informing about –and through– cinema.

For local cinephile and vice-chair of the SLFS Board, Sarah E. S. Sinwell, this commitment to film and independent cinema started long before she ever heard of Salt Lake Film Society. “My family were always big film lovers growing up; I’ve been watching movies with them and going to art houses my whole life.” However, it wasn’t until college when she truly discovered her passion, not just for film, but for analyzing the art and the industry of independent cinema.

“I was studying to be a diplomat, taking political science classes and the like. In my sophomore year, I missed out on my first choice for a seminar, and the seminar I ended up taking was my first film class. When I graduated, I tried being a production assistant, made a few short films, but I soon realized that I would much rather analyze film than make it.”

Educating Through Art House Cinema Analysis

an image of Sarah Sinwell, local art house cinema expert and vice chair of SLFS board
Sinwell became a member of the SLFS Board of Directors in 2015

When she moved to Utah in 2015, Sinwell continued her cinema journey by joining the Department of Film and Media Arts at the University of Utah as an assistant professor. Now an associate professor, she has applied her devotion to art houses and film analysis through teaching, and writing books and scholarly articles. 

It didn’t take long for her art house cinema expertise and the mission of Salt Lake Film Society to align. “When I moved here, Kevin Hanson (SLFS board member and colleague at the U) immediately told me, ‘You need to meet Tori [Baker], and you need to be a part of the Film Society’, and I was invited to join [the Board] just a few months after that.”

Unsurprisingly, Sinwell’s initial interactions with Salt Lake Film Society were as a patron. “I’m a huge cinephile, I write about art houses, I write about independent films, I write about feminist and queer filmmaking, and the Broadway and the Tower are the places to go to see the best independent films in town, and the best independent films internationally, so I was pretty excited about even attending a film at the Tower/Broadway.”

For Sinwell, being a member of the SLFS Board was also an important part of her personal introduction to Utah, and the Salt Lake City film scene. “It was my first time living/moving here, so [joining the SLFS Board] was a big part of my learning about Utah, and about film culture in Utah.”

“People are seeking out the theater experience, because they’ve missed it. I was at the reopening of the Broadway in 2021, and my friends and I kept saying ‘This is the experience we have been missing’”

She was able to further supplement her studies, writings, and analysis of art houses and independent cinemas, because what better way to learn how an art house works than by being a part of one? “Being a part of the board has really taught me all about the in’s and outs of how non-profits and art houses work. I had no idea, for instance, how much a popcorn popper actually costs.” Sinwell said.

“I’ve really been involved, not just in the Film Society, but in thinking about the state of the art house at the moment when streaming is becoming more popular, and knowing this [type of] institution from the inside is invaluable to understanding the challenges that many art houses face” Sinwell continued.

Enjoying Independent Film At SLFS

The reciprocal relationship between Sinwell’s educational pursuits and her experience on the SLFS Board is an important part of her impact on the Salt Lake City film scene. But like any fan of independent film, nothing really compares to the personal enjoyment of watching an engaging and thought-provoking visual story on the big screen. For Sinwell, watching Céline Sciamma’s Portrait of a Lady On Fire at Broadway Centre Cinemas offered this type of unforgettable viewing experience.

“I saw Portrait of a Lady On Fire (2019) for the first time at the Broadway. Sciamma is one of my favorite directors, and I wanted to show it to everyone. I liked it so much, I saw it again, and the second viewing was the last film I saw in a theater for two years after COVID shutdown the Broadway” Sinwell remembered.

For those who have seen it, the lasting impression of Sciamma’s critically acclaimed film would be memorable even without the subsequent lockdown that occurred due to COVID-19. But it was the theater experience, and the insights and discussions with her friends afterwards that truly cemented Sinwell’s experience as noteworthy.

“One of these [POLOF] viewings was a sneak preview I went to with some friends and colleagues, and it was so inspiring. My colleague who studies music talked to me about some really interesting things the film does with music and sound, and I used aspects of femininity and ‘gaze’ from the film in my Queer Media class that I teach.” 

Supporting the Community Role of Art House Cinema

As someone who has experienced the profound nature of the independent theater viewing experience first-hand, Sinwell is well aware of how important art houses are to their local communities, especially as COVID restrictions are lifted. “For many people, watching movies was their pandemic lockdown activity. Now, people are seeking out the theater experience, because they’ve missed it. I was at the reopening of the Broadway in 2021 when we screened Dune (2021), and my friends and I kept saying ‘This is the experience we have been missing’ you know, watching a film with others in a theater, and talking about it after.”

As an SLFS board member, Sinwell has both supported, and helped realize the larger aim of using film as a learning tool for social good. “SLFS shows unique films. We are purposefully putting these films on our screens, films that other people might not find otherwise. People are being introduced to other stories and cultures through these films.”

the cover of the book Indie cinema online, a book about art house cinema written by Sarah Sinwell
Indie Cinema Online is Sinwell’s newest book, and explores the challenges and growth of art house cinema

“Our films and cultural tours [like Czech Film Tour or FilmMéxico] let you imagine what it’s like to live in the Czech Republic, or Mexico, or live the female experience [in films like POLOF]. It’s an opportunity to explore what the future and history both hold” Sinwell added.

After stories of her introduction to loving film, writing and teaching film analysis, and how she became a vital member of the SLFS Board, there was one final piece of insight Sinwell had to offer on the age-old question: butter or no butter on your theater popcorn? “Definitely butter. But if it’s a matinee at the Broadway, I always get a slice of Pie Hole pizza and a Coke.”

Given our mission to educate, advocate, and inform about and through cinema , there are few people more suited to the task of vice-chair of the SLFS Board of Directors than Sarah E. S. Sinwell, and we are lucky to have her. 

You can read some of her scholarly articles analyzing art house cinemas and how they have handled the COVID-19 pandemic here, and here. For information about her new book Indie Cinema Online, and other published work. click here.

To see a list of our upcoming films and events, click here.
To join our Red Carpet Club, or to learn more about RCC levels, discounts, and benefits, click here.


Why SLFS Believes in the Independent Theater Experience

For some of us, film can provide a form of escape. When we sit down to watch a movie (for instance, at an independent theater) we enter another world. It could be a fantasy world, or a world from the past, or a world that strikingly resembles our own. Like a dream, film gives us a place where our minds can seize the opportunity to get away from the thoughts and troubles of our reality, and imagine the undertaking of new experiences and perspectives. All films, and especially good ones, captivate their audience by nurturing this escape, feeding a string of environments, characters, and stories into these worlds that help us relate, and engage with their premise. 

But as personally enchanting as the visual stories of film can be, sometimes we don’t quite notice that this activity can be supported, and even enhanced when we share it with others on the big screen in a movie theater. The maximized visuals and audio of the theater can reinforce the power of any film, and when we partake in this experience with others, looking at the same screen in the same room, with friends, family, or strangers, we come closer together. In the moment, we experience both physically and mentally that dreaming, imagining and exploring with others is a deeply human need, and one that we all share.

Film is a powerful vehicle for creating this intimate connection between total strangers, and it’s at the heart of what we offer the Salt Lake City community at Salt Lake Film Society. We show diverse and engaging independent films that help open minds and hearts, and provide experiences outside of ourselves that bring us closer to others. And through our independent theaters, we are committed to creating and nurturing community spaces where everyone can have shared experiences with one another. 

Why The Big Screen Matters

SLFS believes in the big screen independent theater experience and the power of communal cinema, and we want to tell you why. Movie theaters have always been a pillar of the art of film, and the entertainment industry since the first ones started popping up in the late 19th century. But lately, with the modern era of streaming and nearly unlimited digital access to films becoming the norm, movie theaters have taken a bit of a hit over the years. For some, the convenience of at-home viewing has seemingly started to outweigh the big-screen movie theater experience.

But for many others, there is no substitute for the big screen independent cinema experience and the value it adds to their viewing experience. When you buy a ticket and you take your seat at a theater, you are making a purposeful commitment of attention to both the film and the story. It’s much harder to not engage when the screen nearly takes up your entire field of vision and the sound has the ability to shake your bones.

a photo of an empty auditorium at the Tower Theater, an independent theater in SLC
An empty audience at Tower Theatre, the oldest movie theater in the Salt Lake Valley still in operation. Photo Credit: Purple Moss Photography.

Car engines rumble loudly, wide vistas appear truly expansive, and the quiet tension of a killer stalking their victim is heard and felt throughout the theater. When you watch a film in a theater, the specificity of what you see, hear, and feel is amplified, and consequently amplifies the experience of the story too. You become immersed in it mind, body, and emotions.

But don’t just take our word for it. According to Jeffery Zacks, a professor of psychology at Washington University, the real-life stimuli and the empathetic reasoning that often produces emotion in our lives is not only replicated, but it’s intensified when we watch a movie. “In real life, we see people who cry and we watch bad things happen — all these things make us feel sad. But in a movie, you crank those things up to 11… [a filmmaker] can control exactly what’s shown, and what else is present.” 

Zacks says this effect is even stronger when it comes to watching a film in a theater. “Bigger screens also produce more robust responses… you’re sitting in a dark room where everything else is cut off, the viewer has much less opportunity to walk away or focus on other things… it’s just taking the mechanisms that we encounter in real life and just really pushing all the buttons at once.”

The Independent Theater Experience

The sensory amplification of watching a movie on the big screen is a critical part of why the theater experience makes for a significantly superior experience, but it’s not the only reason. While distractions from not-so-respectful movie-goers can leave a bad taste in one’s mouth, we can’t forget the many positive ways in which communal cinema is powerful and an incredibly humanizing experience.

a photo of the audience sitting down for a movie at an independent theater
Moviegoers sitting down for a film at Broadway

Watching a film with others in a movie theater heightens the empathy, sympathy and connectedness of communal engagement through visual storytelling. Sharing laughs, gasps, and quietly sad moments with friends and strangers is how people become more present with each other. These shared experiences of emotion and physical responses reaffirm the themes, messages, and emotions that a film is trying to convey. The immersive physical space, along with the shared emotional responses is why films seen in a real independent cinema foster more empathy and compassion for people you don’t even know.

For independent theaters like Broadway Centre Cinemas and Tower Theatre that focus on showing independent films, this effect is even more powerful. We make it our mission to not only show thought-provoking films, but to also create a safe and accepting place where people can comfortably experience these stories, thoughts, and feelings with each other. It is our hope that  the empathetic and social bonding that begins on the screen, will continue outside of the theater and into the conversations, ruminations, and lives of our moviegoers long after the credits roll.

Independent Cinema in Salt Lake City – SLFS

At Salt Lake Film Society, we believe deeply in the positive power of communal cinema to improve society, especially when it takes place through the big-screen independent theater experience. SLFS is proud to provide consistent, affordable access to inspiring stories that the  community can share with each other. Through the films we show and the atmosphere we cultivate, we believe communal cinema can foster passionate conscientiousness in our community. So come join us (and your fellow community members) for a film! It just might change your life.

To see a list of our upcoming films and events, click here.
To join our Red Carpet Club, or to learn more about RCC levels, discounts, and benefits, click here.


What Is an Independent Film?

The film industry as a whole releases a wide variety of movies each year. While there is an extensive range of stories and types of film in circulation, there are also some important distinctions regarding how films are made, funded, and distributed. You might have heard of “independent films” or “indie movies”, but understanding what actually qualifies as one, and why independent theaters focus on showing them is a bit more complicated.

Salt Lake Film Society operates two independent theaters and we take a lot of pride in the films we show in Salt Lake City. Many of these films, from gripping foreign dramas to small-budget, local documentaries, can be classified as independent films. But we also exhibit and enjoy plenty of films that are created within the major studio system as well. 

This is not to say that one film type is inherently better than the other; there will always be amazing films being made and incredible stories being told, whether independently or studio-supported. At Salt Lake Film Society, we just believe that understanding and contextualizing the differences between independent films and studio films is a part of being a conscientious and engaged cinephile.  

Distinctions Between Independent Films and Studio Films

While there can be plenty of noticeable differences between the experience of watching an independent vs. a studio-supported film, the more clear cut differences usually lie behind the scenes. For the audience, these differences can be evident in the types of stories told and the contrast in creative decisions made. But the differentiating factors that can more clearly distinguish the two revolve around the production and distribution processes, and the respective financial situations of each film type’s budget. 

The definition of what constitutes an independent production can be somewhat muddled, but the most defining trait of an independent film is that it is produced and distributed outside the “major” film studio system. Studio films on the other hand, are defined by their production through a studio owned by one of the “Big 5” media conglomerates (NBC/Comcast, Paramount, Disney, Warner Bros, Sony). These studio films are also funded and distributed by massive production companies that operate under the umbrella of these media conglomerates. 

still of Daniel Kaluuya in the independent film Get Out
Daniel Kaluuya in Get Out, independently produced by Blumhouse Productions

While many independent films are made by individual filmmakers, many are still made by film studios, albeit smaller ones. But an important consideration is that these films usually don’t have a guaranteed distribution network or production funding like the larger studios with their parent companies. Independent films need to scrap and source for producers and distributors almost from day one.

Sometimes, these more independent-focused distributors (A24, Neon, Blumhouse) will fund a project at the beginning, sometimes they purchase it halfway through or after it’s made, but the search for funds and distribution is a relentless necessity that characterizes most independent films. That’s why these films often dominate the film festival circuit (and why most festivals even exist in the first place); these filmmakers are showing off their product to distributors with the hope of it being purchased, and distributed.

While there is no specific dollar amount that separates an independent film budget from a studio film budget, spending range is another major factor that distinguishes these two film types. Independent film budgets can range vastly, from tens of thousands dollars to tens of millions, and occasionally will even require fundraising to finish production and find distributors. Studio film budgets will also vary quite substantially, but their upper limits are astronomically higher, with some studio films working with predetermined budgets that can range up to half a billion dollars. 

Different Motivations, Different Expectations

This large contrast in monetary and distribution processes consequently leads to a variety of differences in production, artistic influence, and definitions of success. Studio films are often formulaic and controlled by senior management from start to finish, and while the production needs vary from film to film, they always maintain some form of uniformity in operation, staffing, and expenses. Independent film productions are more free-form, following the direction and desire of the producers and their artistic vision, often sourcing staff, equipment, and money as they go along. 

still of penelope cruz, johnny depp, and ian mcshane in pirates of the Caribbean: stranger tides
Penélope Cruz, Johnny Depp, and Ian McShane in Pirates of the Caribbean: Stranger Tides, the most expensive film ever made with a budget over $400 million

These creative and production differences understandably lead to clear differences in motivation for producing the film, and what defines a film’s release as successful. Studio films and the stories they tell are much more likely to have the biggest names and the grandest visual effects, and are often made with the primary goal of commercial success. There has never been a studio film made that hasn’t undergone rigorous financial calculations by studio executives beforehand regarding the potential money it might bring in. These films are usually designed to cater to as many people as possible, in order to maximize  attendance and box office revenue (often to recoup some of the expenditures from their immense budgets).

Independent films (and the independent theaters that proudly and consistently show them) have different motivations. These films usually put more emphasis on the art of storytelling, and presenting the perspective of a wide diversity of voices. They often don’t cater to the largest possible audience. Instead, they aim to craft a narrative that makes the audience take a mental step back and ask questions, like “Who?”, “What?”, or “Why?”. Independent films are not totally free from the industry’s financial expectations, but their purpose will usually be more driven towards the limitless freedom of artistic expression, the introspection of the audience, and the diversity of filmmakers, experiences, and stories that naturally comes from that.

Muddied Definitions of “Studio” and “Independent” Films

For any fan of film who has explored the varied types of stories and styles the industry has to offer, it’s clear that there are some distinctive differences between smaller budget, “art house” indie films, and bigger budget, franchise-spawning studio films. But just like the real world, the conversation and categorization is a bit more nuanced than that. In reality, most films do not sit neatly in one category or the other, or their content doesn’t fit the archetype expected from their production and funding.

still of John Corbett and Nia Vardalos in My Big Fat Greek Wedding
John Corbett and Nia Vardalos in My Big Fat Greek Wedding, an independent film which grossed $369 million, with only a $5 million budget

Big studio films can spend big while still emphasizing diverse narratives and more artistically-driven creators (consider Taika Waititi now directing Thor: Ragnarok and Thor: Love and Thunder). On the other hand, independent films with small budgets can still tell more generalized stories that aim for studio-esque commercial success (the independent rom-com, My Big Fat Greek Wedding grossed $368.7 million worldwide). While some may call these exceptions to the rule, others might say that the definitions are simply more muddied in the modern film era. And when it comes to streaming services now consistently producing and distributing their own content, the conversation can become even more complicated.

Independent Theaters in Salt Lake City – SLFS

At Salt Lake Film Society we are proud to exhibit thought-provoking stories and inspiring films to our community through our independent theaters, whether they be niche independent films or widespread studio films. Our goal as a independent cinema is less about properly defining film as “independent” or “studio”, and more about cultivating in our audience a natural curiosity about each film they see, learning more about who made it, how they made it, why they made it, and what creators or organizations they are supporting by purchasing a ticket for it. 

Our independent theaters love to present independent films that emphasize art, culture, and underrepresented voices, but we all have plenty of studio films that we adore. We just love film, and we love the questions and conversations it can produce, so come see a movie and join the discussion, and learn a bit more about different types of film yourself.

To see a list of our upcoming films and events, click here.
To join our Red Carpet Club, or to learn more about RCC levels, discounts, and benefits, click here.


SLFS Staff Picks In 2022 (So Far)

At Salt Lake Film Society, we absolutely adore cinema. Whether it’s an emotional independent film making the rounds at Cannes or an obscure cult-classic from the ‘80’s; our staff has an enduring and insatiable passion for movies, and the stories and visuals that define it as an art form. And this passion becomes even stronger when we get to watch these films on the big screen at the independent theaters we operate.

For our staff here at SLFS, we try our hardest to translate this passion into all the work we do for you, from the films we choose to exhibit, to the local film and cultural tours we are proud to host. But sometimes, we just love watching movies, and when we watch a movie we like, it’s nearly impossible for us to stay quiet about it.

It could be an unknown film from a first-time director, or a classic movie with a legendary cast that we are rediscovering; the members of our staff have watched plenty of good movies in 2022 so far, for business and for pleasure, and we can’t help but share some of our favorite picks with you, our dedicated supporters and patrons.

Salt Lake Film Society – Our Favorite Films We’ve Seen This Year

THE NORTHMAN Tori Baker, President/CEO

  • “Robert Eggers composes a shot with a visceral punch that demands attention, screen size, and community viewing. It’s jaw-dropping in its pure mastery of editing, color pallet, and magic-imagery.”

FIRE OF LOVE – Marcie Collett,  Associate Director of Development

  • “At its magmatic core, this is a love and adventure story that makes you believe that every oddball – even a volcanophile – has an oddball soulmate. Extraordinary footage and sound, especially on our Broadway big screen.”
renate reinsve running on a street in a scene from the film The Worst Person in The World
Renate Reinsve in The Worst Person in the World

THE WORST PERSON IN THE WORLD Rachel Getts, Associate Director of Digital Content 

  • “Great take on the quarter-life crisis we all seem to have. Renate Reinsve is a star.”

BETTER NATE THAN EVER Brandon Suisse,  Associate Director of Development

  • “I don’t think a film has been more memorable or impactful for me this year than Everything Everywhere All at Once. But Better Nate than Ever had absolutely no business being as delightful as it was.”

LOST HIGHWAYStephen Simmons, Associate Director of Production

  • “The 4K restoration was like watching Lost Highway for the first time. Everything from the sound mix to the crisp visuals, this gorgeous transfer allows this dark and underrated masterpiece a breath of new life after 25 years.”

PETITE MAMANAlly Lantz, Theater Operations Manager

  • “Celine Sciamma is my favorite working director, she has this ability to beautifully depict the emotional complexities of human relationships. This one just feels like a warm hug.”

ALL MY FRIENDS HATE ME – Noah Hinton, Front of House Staff

  • “It was a thrill watching how fast someone’s life can be seemingly ruined through just words and innocuous actions.”

MAD GOD – Landon Adams, Theater Operations Manager

  • “An old testament nightmare willed into existence over thirty years. Horror has never looked so beautiful.”

EVERYTHING, EVERYWHERE, ALL AT ONCEJesse Sindelar, Development Manager

  • “One of the most incredible human storytelling experiences I’ve seen from a movie. Loved the hotdog fingers. I’ve seen it 2 ½ times and I’ve cried 2 ½ times.”
lea seydoux, viggo mortensen, and kristen stewart in a scene from the Cronenberg film Crimes of the Future
Léa Seydoux, Viggo Mortensen, and Kristen Stewart in Crimes of the Future

CRIMES OF THE FUTURE Susan Tive, Head of Development

  • “Cronenberg takes a dark and surprisingly humorous look at how the future might send artists looking inward to find the only blank canvas left.” 

X Patrick Charles, Theater Operations Manager

  • “Just a good old fashioned horror flick. Plus, Howard’s got the moves.” 

 

MARCEL THE SHELL WITH SHOES ON – Amy Beth Aste, Head of Theater Operations

  • “The perfect little movie, the creativity is amazing. Leave it to a Shell to remind us to examine our community, question social media, and place importance on caring for our elders.”

OFFICIAL COMPETITION Max Kunz, Theater Operations Manager

  • “While fitting the bill of an off-beat independent film, it also has a multi-layered commentary on the people who create those types of works. Cohn and Duprat tackle this story with a great, self-aware sense of the surreal nature of such projects.”

HAPPENING – Guy Wheatley, Head Projectionist

  • “A topical, French, period film about a girl struggling with illegalized abortion. It’s a horror as a well as a drama; the best kind of horror films reflect the anxiety of the times, and this one definitely counts as that.”

TOP GUN: MAVERICK – Abby Derrick,  Front of House Staff

  • “It was just a good time. One of the best theater experiences I’ve had in a really long time.”

Art House Films in Salt Lake City – SLFS

Whether it was released this month or 30 years ago, the world of film is continuously providing an intense diversity of movies. This vast selection is a never-ending supply with the potential to engage the interests and intrigues of all types of individuals, including the wide range of tastes within our staff. And just like with every film we play at our independent theaters, we hope that these selections and suggestions help our patrons discover new films and novel stories that engage their minds and excite their hearts through the power of film.

Feel free to ask a staff member about their pick the next time you visit the Broadway or the Tower, and help us keep the discourse and discussion about film alive and well in Salt Lake City.

To see a list of our upcoming films and events, click here.
To join our Red Carpet Club, or to learn more about RCC levels, discounts, and benefits, click here.


SLFS: Our Impact Through Independent Film

We have all seen films that have changed us, whether by shifting our perspective or making us think about their themes and stories for days on end. But an important question remains; can film really make a positive difference in the world? As a non-profit that seeks to amplify diversity and support social progress in our community through film, Salt Lake Film Society would definitely say “yes” to that question. However, the reality is a bit more nuanced; films do not vote or pay taxes, nor do they determine policy, constitutional rights, or election results. But crucially, they have the power and potential to inspire those who do. 

“The purpose of civilization and growth is to be able to reach out and empathize a little bit with other people… the movies are like a machine that generates empathy. They let you understand a little bit more about different hopes, aspirations, dreams and fears.”

Roger Ebert

This quote from the famed movie critic Roger Ebert defines our philosophy at SLFS, and the impact of cinema that we believe in. Independent films that exhibit unique stories and amplify diverse voices help cultivate a more sympathetic community, full of people aware of the issues and inequalities in our society, and as curious as they are impassioned to do something about it. A group of inspired people can change the world, and that’s why our independent theaters strive to play independent films that educate, advocate, and inspire people everyday.

Independent Film – A Machine of Empathy and Accessibility

How exactly does film help though? What makes film a potential tool for social good? Well firstly, movies are accessible. The variability of human experiences that the film medium can present and represent makes it a highly approachable form of art for all types of people from all types of backgrounds. Watching a film on the big screen is also easier than ever, as most theaters offer a wide selection of showtimes, all day, everyday, at fairly affordable rates. There seems to be a visual story out there for just about everyone; almost every person has a favorite film, and rarely are they the same.

director guy nattiv doing a q and a with SLFS CEO tori baker

Oscar-winning director Guy Nattiv, at a Q&A with SLFS CEO, Tori Baker

But more importantly, the diversity of visual stories that film can tell leads to a nearly unavoidable exchange of ideas, culture, and human experiences. Film pares down these large, intricate concepts or issues into approachable encounters with your fellow human beings, giving audience members an emotional glimpse into the lives, aspirations, and suffering of other people. Every film is a machine capable of producing this empathetic epiphany that Ebert describes, and this effect is only intensified when we share a film in a theater with others. A thoughtful film can make us feel closer and more connected to the people in our society, and also more aware of the struggles and prejudices they may face.

Furthermore, this type of film can foster a vital introspection and advocacy regarding the disadvantages that many marginalized people experience and suffer from. Independent films are some of the most common contributors of diverse and galvanizing stories. The proper telling of an underrepresented story on the big screen can play a pivotal part in the educational fight against bigotry and systemic oppression; movies are made by people, for people, and the more we can expose everyone to the lives, decisions, and experiences of others, the more progress we can make towards constructing an aware and empathetic society.

Salt Lake Film Society – Independent Theaters

street-level photo of front of Broadway Centre Cinemas

The front of Broadway Centre Cinemas, showcasing our marquee for February 2021

At Salt Lake Film Society, our mission revolves around educating, advocating, and informing both about, and through cinema, especially independent film. Independent films consistently emphasize giving their audience this glimpse into the lives of others, and our goal is to show as many of these diverse and thought-provoking movies as possible. 

Through independent film and the independent theaters we operate, we help cultivate a local community filled with compassionate and curious people, who are willing to learn and listen and ultimately do something about the problems they are made aware of. There’s no better place in Salt Lake City to experience consistent access to independent film than Broadway Center Cinemas or the Tower Theater. Take a step towards understanding the life of another, and come see a movie that might just inspire you.

To see a list of our upcoming films and events, click here.
To join our Red Carpet Club, or to learn more about RCC levels, discounts, and benefits, click here.


Open Caption Wednesdays

Open Caption, All Films, Every Wednesday

Every Wednesday we will be screening all films with Open Captioning.  This is a part of our mission to provide independent film to all in our community. Please note that some films do not have open captioning available.  We’ll let you know if a film does not have open captioning available.