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Anderson and Anderson in April 2023

Join us at SLFS in April 2023 for a retrospective series featuring the films of P.T. Anderson and Wes Anderson every weekend on Friday and Saturday starting March 31st.

Paul Thomas Anderson (known as P.T.) grew up in the San Fernando Valley in the ’70s and 80’s. At an early age, he decided that directing was all he wanted to do and started making short films with his friends. As a senior in high school he wrote, produced, and directed a 30 minute short film “The Dirk Diggler Story”. (This became the basis for his film Boogie Nights.) While at the Sundance Feature Film program he developed the film “Sydney” which became the acclaimed film Hard Eight. After struggles with his distributor, he took his own version of “Sydney” to Cannes where it screened in the Un Certain Regard section. Eventually “Sydney” was released as Hard Eight in 1996, of which film critic Roger Ebert wrote “Movies like Hard Eight remind me of what original, compelling characters the movies can sometimes give us.”

Wes Anderson was born in Houston, Texas in 1969. Also at a young age he was driven to become a filmmaker making silent films with his brothers and friends. Later working as a projectionist at the University of Texas at Austin he met writer/actor Owen Wilson who he collaborated with in his early films such as Bottle Rocket. His signature post-modern style and subversion of main-stream storytelling stands out amidst commercial filmmaking today. Big star-studded casts, fast paced humor, and a nostalgia mark his films which are never quite what you expected.

These popular directors, who happen to share a last name, represent a new wave of stylistic directing that always surprises. Their way of telling stories is unique in a world of short attention spans and easy endings.

Showtimes may vary. Tickets will be on sale at www.slfstix.org.

Mar 31: The Fantastic Mr. Fox

April 1: Boogie Nights

April 7: Punch Drunk Love

April 8: The Grand Budapest Hotel

April 14: Hard Eight

April 15: Bottle Rocket

April 21: There Will Be Blood

April 22: The Royal Tenenbaums

April 28: Magnolia

April 29: Rushmore

Schedule for Anderson and Anderson in April 2023 with a scene from Punch Drunk Love.

How Films Make Us Feel Emotion

While some folks might not readily admit to it, many of us have cried while watching a movie. These could be tears of sadness for the looming passing of the family dog in Marley and Me, or of exultation during scenes of joyous reunion and relief at the end of It’s a Wonderful Life. For many people, (cinephiles and non-cinephiles alike), there is at least one movie scene at some point which has overwhelmed them with an acute wave of emotion.

a still from the final scene of the film It's a Wonderful Life
For many, the iconic ending of It’s a Wonderful Life is a guaranteed tear-jerker

The stories that film tells and the immersive way it tells them have always had a capacity to foster our sympathetic and empathetic tendencies, help us grow emotionally, and connect more with others. Whether you watch a documentary about human suffering thousands of miles away or a narrative that reveals the less than evident truths about your own life, watching a film can be emotional, and that is a good thing. How does film do this and what exactly about the art of film makes us feel the emotions we do when we watch? 

This powerful quality of film sits at the heart of why we love it here at SLFS, and why we are committed to providing access to independent film to our community. We are proud to show a wide variety of independent films that help our patrons not just think, but also feel. The more we can understand and discuss this emotive-inducing power of film, the better all of us in our community can be at engaging with the diverse and thought-provoking benefits of cinema.  

Independent Film = Your Brain On Empathy

Emotions are a vital aspect of the storytelling ability that a movie has. Emotions are also vital characteristics of the larger human experience; they are a fundamental part of what makes us sentient, complex creatures. In the modern age of scientific research and medical technology, emotions can be more precisely defined and measured through brain scans of our neural networks and what we know about the different chemicals that our brains release to cause emotional states. And as it turns out, movies are more than capable of inducing and effecting these states.

Humans are naturally empathetic beings; when we see or hear something sad, we are likely to feel sad. When we watch a story on the big screen, we automatically generate some investment in the characters. The way we absorb their depicted plights and decisions often invests us in an emotional cinematic reality, even if we are not directly experiencing the situations in question.

There are countless studies that demonstrate a link between storytelling and empathy, but it also doesn’t take a scientific study to know that movies offer one of the more effective forms of storytelling in human history. In fact, film is so effective at inducing empathy and emotion in people, it is used by researchers as a method to actually induce emotions in subjects, in order to study the brain simultaneously as they feel them. 

Different neural networks activate different types of empathy in research participants who watched an intense scene from Black Swan

For neuroscience researchers like Talma Hendler at Tel Aviv University in Israel, movies offer a useful tool to study how emotions fluctuate in real time and what’s going on in the brain when we feel certain ways. Hendler and her team have been investigating neural networks in the brain and their role in empathy, and have found evidence for two types of empathy. Mental empathy, when people step outside of themselves to think about what another person is thinking or experiencing, and embodied empathy, more of an in-the-moment internalization and adoption of an experience and its emotions.

It’s hard to say which type of empathy an audience member might be feeling during a specific scene, whether they are understanding the rationale and perspective of a character’s feelings, or more acutely feeling the character’s feelings themselves. But one thing is for sure; the empathetic storytelling that film is capable of can play with our emotions like few other forms of media can.

Playing With the Audiences Emotions

As much as there is to understand about the science of why film makes us feel emotion, what about the techniques behind filmmaking itself? How do filmmakers shape their narrative and use all the storytelling tools at their disposal to make us feel?

When filmmakers are crafting shots and dialogue, and considering how to tell the story of the scene, while they might not be contemplating the science of neural networks or the difference between mental and embodied empathy, their attention towards the emotions of their audience is quite purposeful.

“We’re always thinking about how to get into an emotional state, moment by moment, and how to bring as much of the audience along with us,” said Darren Aronofsky, acclaimed director of psychological dramas like Black Swan, Mother!, and The Wrestler in a Wired 2014 interview. It could be through stunning visual perspectives of proper cinematography, swelling crescendos of an orchestral soundtrack, or a well-written line acted and delivered to perfection; filmmakers craft their scenes and visual storylines with concentrated intent of making their audience feel.

an image of neural networks overlayed on a brain, next to a still from the film Black Swan
Javier Bardem and Jennifer Lawrence in Mother!, another psychological horror film from the mind of Darren Aronofsky

As much as the artistry of a film and its filmmaker plays a big role in this, there are also other psychological aspects of film that naturally contribute to the keen emotions that many moviegoers feel when they watch on the big screen. According to professor of psychology at Washington University, Jefferey Zachs, mimicry and music play vital roles in the emotions that film can make us feel.

“[Our brains] say that it’s a good idea to mimic the visual input that we’re seeing…if you watch somebody in the theater and there’s a smiling face filling the screen, most of the audience is going to pop a little bit of a smile…In film, a filmmaker has the opportunity to integrate those things very tightly. They can control exactly what’s shown of the face, and what else is present [on the screen].”

In regards to music in film, Zachs says the type and the timing also play a big role in inducing emotion. Sad moments in movies use slow music composed in a minor key to hammer home the sad things they depict. Minor key music can induce the same kind of sad feelings that we feel when we see people cry or watch bad things happen to people. “You put all those things together and it’s just taking the mechanisms that we encounter in real life and just really pushing all the buttons at once.” Zachs concluded.

Independent Films in Salt Lake City – SLFS

At Salt Lake Film Society, the emotional power of visual storytelling is at the heart of the impact we make in our community. Whether it’s anecdotal or based in scientific research, there is  consistently reaffirmed evidence that a compelling visual narrative can alter our brain’s chemistry. Films can make us feel, in a way that is strangely close to how we might feel if we were actually living these emotional experiences ourselves.

This invaluable form of sharing an emotional connection with others reinforces the unique and underrepresented voices inherent in our  independent film programming. This pairing helps cultivate an introspective and compassionate arts experience for the entire community, a process that SLFS has proudly been a part of for over 21 years. So come join us for an independent film at Salt Lake Film Society, and maybe you too can be a part of an emotional experience bigger than yourself.

To see a list of our upcoming films and events, click here.
To join our Red Carpet Club, or to learn more about RCC levels, discounts, and benefits, click here.


Cool Upcoming Films For Summer 2022

Coming Soon at Broadway

At SLFS we are trying to beat the heat with cinema. Here’s some upcoming films for the month of August 2022:

NOPE – July 22

FIRE OF LOVE – July 22

VENGEANCE – July 29

HALLELUJAH – August 5

BULLET TRAIN – August 5

BODIES BODIES BODIES – August 12

Of course, nothing is certain in these times and dates may change.

So keep an eye on this space or at slfstix.org for any new additions to the schedule. We still have some surprise announcements coming soon…

And don’t forget Summer Showdown every Friday and Saturday night! We will be finishing up with some classics that you don’t want to miss on the big screen.